Migrants Arrested after Attempted Border Crossing, Laredo, Texas
Faculty Response:
"The photograph puts the viewer up close inside the space of the arrested migrants as if the viewer were under arrest as well. All one can focus on are the interlocked fingers of the person in front of them, the scabs on their forearm. The anxiety is palpable. A blurry law enforcement officer prattles on in the back of the room, perhaps in a language you don't understand. This effect is caused by a shallow depth of field in which the lens' wide-open aperture creates an area of blur which shifts the viewer's attention to that which is sharply defined. It's a kind of mechanical myopia, which could be interpreted as a comment on the short-term solutions generated to address border control as a way of gaining political points rather than doing what is best for the long-term interests of the country."

Stafford Hiroshi Smith, GVSU Visual & Media Arts
"Climate Matters: Our Changing and Resilient Planet"
Current Location:
Thomas J. and Marcia J. Haas Center for Performing Arts -> Art Gallery - Room 1121 (PAC)
Location Notes:
This artwork is currently on view at the Haas Center for Performing Arts Gallery (PAC 1121) as part of the exhibition “Climate Matters: Our Changing and Resilient Planet.”



Migrants Arrested after Attempted Border Crossing, Laredo, Texas

Artwork
Identifier:
2020.42.12
Artist:
Peter Turnley
Credit:
Gift of Ashwin Chaudhary
Medium:
Archival Pigment Print
Date:
2006
Dimensions:
Artworks - Height: 20" Width: 24"
Description:
A horizontal color photograph of a line of people with their hands behind their heads, fingers interlocked. The man closest to the camera is the only one in focus, he is wearing a green t-shirt and a green hat. There is a line of people that are out of focus in front of him, there is also an out-of-focus police officer.
Historical Context:
Peter Turnley began photographing in 1972 in his hometown of Fort Wayne, Indiana. He and his twin brother, David, photographed the life of the inner-city, working-Class McClellan Street, working to give a voice to the heart of America. Since this early project, his photographs have always drawn attention to the plight of those who have suffered great hardships or injustice, while finding that many aspects of life are also beautiful, poetic, just and inspirational.

Turnley’s photographs have been on the cover of Newsweek magazine 43 times. He has worked in over 90 countries photographing world conflicts including the Gulf War, the Rwandan genocide, Operation Uphold Democracy in Haiti, and the Israeli-Palestinian conflict. He witnessed the fall of the Berlin Wall and Nelson Mandela’s walk out of prison. He was present at “Ground Zero” in New York City on September 11, 2001 and in New Orleans during the aftermath of Hurricane Katrina. His most recent book “A New York-Paris Visual Diary: The Human Face of Covid-19” is a visual tribute to the humanity of all the heroes and victims of the invisible enemy of the Covid-19 virus in 2020.